![]() ![]() In this broken land, you will forge a story worth passing down for generations to come. As a Mercenary, you will live the untold and learn to survive the endearing horrors and tribulations of Pywel, either by banding together or venturing out alone. In the new IP, players will be invited to explore an open-world landscape that's engulfed in everlasting war and calamities. ![]() What Is Crimson Desert?Ĭrimson Desert is an upcoming action RPG by Pearl Abyss, creator of Black Desert Online. Unlike the latter-an MMORPG-the proposed spin-off will revolve around a single-player experience, and will take place in the same universe “a war-torn realm of medieval fantasy, where allegiances are tested and heroes are made.” Interested? If so, then here's everything you need to know. In fact, we could probably chalk up enough of a picture to give you the ins and outs of the once-planned prequel. So, if we don't know when it's coming out, then what do we know about it? Well, that's just it - Pearl Abyss has made quite a bit of noise around the project since bringing it to The Game Awards back in 2020. As for when it'll release, though, is still very much anybody's guess. Well, two years later, and that very RPG- Crimson Desert-is still very much in active development, and it's shaping up for an eventual launch on both consoles and PC. In case you missed it, Pearl Abyss made an announcement a little ways back about severing its attachment with Black Desert Online in favor of a new single-player action RPG.
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This should be the most basic, obvious accomplishment that a game can achieve. I will give the game credit for this: The story worked. Is it a masterful and cunning improvement on modern shooters, or a short, dumbed-down bastardization of its predecessor? It’s kind of both. Months later, I still don’t know how to judge the game. The game would take so long and cost so much to produce that it could never make money. At the same time, it seems really unfair to compare Human Revolution to the original, since it would be completely unfeasible and unreasonable to attempt to re-create a game of that size and scope using today’s technology. Those games don’t aspire to be Deus Ex, and so saying Human Revolution is better than those other shooters is like pointing out that Wal-Mart has a better selection of housewares than Dominoes Pizza. It has a slick, appealing aesthetic, yet that aesthetic doesn’t match the one in the original game.ĭo we judge Human Revolution against the standards of today, or do we judge it as a sequel to Deus Ex? It seems like cheating to compare this game to a brown military cover shooter, since those games were never intended to offer open experiences with player agency and player-controlled dialog. It’s smaller than the original, yet larger than most shooters. ![]() Or whatever you call it when you make a prequel.) It’s not nearly as freeform as the original, yet it’s far more freeform than its current-day contemporaries. (Whether or not the original deserves to be revered is a thorny discussion we can leave for another time.) This game is unlike the original in terms of gameplay and style, yet it preserves the original premise, tone, and continuity. How is anyone supposed to rate or even discuss this game objectively? It’s a sequel to a beloved and revered classic. ![]() Figure out a way to take out the guy on the water tank. Will I get away with killing this dude? No, didn’t see the guy on the water tank and now the entire town knows I’m here. The gameplay feels a lot like solving a really large puzzle, but a little too often it falls into trial-and-error tedium: Quicksave. The game actively encourages save scumming, and the dedicated quicksave button is mercifully responsive, because you will be failing and quickloading a lot. Although enemies are all on tight pre-determined loops that can be memorised, they’re a fairly savvy bunch, and if they see you murdering their buddy then they’ll raise the alarm and be on you like a duck on a June bug. Small groups of guards in near-linear scenarios quickly give way to sprawling levels densely populated by tight clusters of guards with complex, intersecting lines of sight which have to be navigated with extreme care. Your ultimate enjoyment of Desperados III will hinge on one thing: are you a hardcore enough dude to handle its difficulty? After a fairly brief introduction to the basic mechanics, the difficulty skyrockets to dizzying heights. I could have done with less of the repetitive conversations between guards in an endless loop, but it can be forgiven in the context. Sound design is also on point, particularly the slightly modernised Western-flavoured original score, which is unobtrusive for the most part, but kicks in at key moments. The animations are extremely impressive and life-like – it’s clear the developers spent some resources on hiring some talented tiny people to do motion capture with, and it has paid dividends. The presentation is impressive, with lots of tiny environmental details bringing the diorama-like settings to life, without obscuring the tactical aspects of the terrain. On your quest for revenge you’ll be taking part in such classic Western capers as crashing a wedding, hijacking a train, breaking into/out of of jails, surviving a hangover and burning steam boats by the bayou. The 16 missions are visually and thematically distinct and help sell the Western setting well. There’s a handy Showdown Mode which allows you to stop time and coordinate a series of actions and abilities for each character, and pulling off a perfectly-timed and well orchestrated strike using multiple characters is a definite highlight. No one character is really strong enough to solo a mission (except maybe Isabelle, she doesn’t muck around), so combining skills and strengths provides the best outcomes. Doc is the team medic and is also handy with a sniper rifle, whereas Isabelle Moreau is a mysterious Southern mystic who dabbles in voodoo and mind control. For instance, Scarlet O’Hara isn’t good at lethal takedowns, but as long as she’s got a disguise she can distract most male guards, and even lure the weaker-willed ones away from their post. Each of the five characters you can take control of has wildly different abilities, making them suited for different situations and setting up a multitude of combinations. You have the ability to display the vision cone of any guard to see whether they’ll spot you, and there are a handful of abilities for each character to distract, lure, bamboozle or disarm them. The name of the game is stealth (lethal or non-lethal) and strategy, as you creep around various classic Western locales, completing objectives and outsmarting (or in my case, killing) guards. There are a handful of impactful moments and twists that shine a light on John’s history, as well as those of his compatriots, but the fact the fairly brief story moments are bookended between lengthy gameplay sequences means the finer narrative can easily get lost in the noise.ĭesperados III is presented with a top-down isometric view, with the player given full control of the camera to scope their surroundings. The narrative is fairly straightforward, but well delivered through basic in-game cutscenes. For reasons revealed in the first chapter, John tracks Frank (not to be confused with the film When Harry Tracks Sally) across 1870s America on a mission of vengeance, aided by a ragtag band of deadly misfits that he picks up along the way. ![]() The narrative centres around gunslinger John Cooper, a guy primarily on a mission for revenge against a man with the unassuming name of…Frank. ![]() ![]() Desperados III is a prequel to the original Desperados: Wanted Dead or Alive game from 2001, but having no real knowledge of that game other than a small primer, the tale stands well enough on its own. ![]() It was like being asked to start a monoclonal antibody therapeutics company in the late seventies or early eighties with founding technology (and IP) from Georges Kohler and César Milstein. At the same time, it was clear that achieving delivery of siRNA would be the technology’s key hurdle.ĭriving into work each morning, I couldn’t stop thinking about the potential of RNAi as a new approach. Although content at Millennium, I began to dig into RNAi further, clearly recognizing its potential to create a new class of innovative medicines. It’s hard to decline a meeting with Phil, and I spoke to him later that summer. They wondered if I might be interested in joining Alnylam as CEO, and suggested a follow-up meeting with Phil to hear his thoughts on the science. In a call with Jean-Francois Formela and Peter Barrett at Atlas Ventures in the early summer of 2002, I learned that they had joined Bob Nelson at Arch Ventures as Series B investors to round out the Alnylam syndicate. Paul’s favorite aunt was an Arabic scholar, and “al nilam” means “string of pearls” (a nod to the strands of nucleotides in RNA) as well as being the name of the central star of Orion’s belt. Paul (at Phil’s request) was there to help navigate the world of startups, and he has the distinction of having changed the company’s blasé original name of ‘Precision Therapeutics’ to ‘Alnylam Pharmaceutics’. Phil and his four collaborators were joined by the Scripps Research scientist and bioentrepreneur Paul Schimmel as company founders. Christoph brought intensity and passion to this effort, while John brought some needed gray hair and wrinkles. Christoph Westphal, then at Polaris Ventures, and John Clarke of Cardinal Partners had seeded the new company with a $2.5 million Series A round of financing. Within a year, I began to hear of Alnylam’s beginnings. Millennium thus became one of the first licensees for the ‘Tuschl I’ and ‘Tuschl II’ patents for research use. But after conferring with his collaborators and MIT’s technology license office guru, Lita Nelsen, Phil proposed a nonexclusive research license and indicated reluctance about starting a therapeutics company. For a company toiling in post-genomics research, as Millennium was, a tool to interrogate gene function by specifically silencing any single mRNA would be immensely powerful.ĭays after the meeting, I called Phil to inform him that Millennium would be interested in an exclusive license to the RNAi IP for research use and would be open to investing in a new company to explore the therapeutic potential of siRNA. The significance of the findings was immediately clear. ![]() Tuschl presented the findings from his laboratory (later published in Nature in May 2001 2) showing that synthetic small interfering RNAs (siRNAs) could mediate targeted gene silencing through a sequence-based mechanism in mammalian cells. Within a matter of weeks, a group of Millennium scientists met with Phil, Dave Bartel (Whitehead Institute), Phil Zamore (University of Massachusetts) and Tom Tuschl (then at the Max Planck Institute, now at Rockefeller University). I didn’t know much about RNAi at the time and had the general impression that it was a biological process limited to invertebrates and plants. ![]() In our call, Phil wanted to know if Millennium was interested in learning more about the work he and collaborators had conducted on RNAi and mammalian cells. Phil and I had a longstanding relationship from my decade-long tenure at Biogen, where he was a founder, board director and chair of the scientific advisory board. The vignette containing a step-by-step tutorial for using RNewsflow can be called from within R.In early 2001, while at Millennium Pharmaceuticals, I received a phone call from Phil Sharp, a well-known Massachusetts Institute of Technology (MIT) professor and Nobel laureate. ![]() Install_github("kasperwelbers/RNewsflow") Vignette You can install the development version of RNewsflow directly from github: library(devtools) Furthermore, the package introduces an approach for analyzing the news similarity data as a network, and includes various functions to analyze and visualize this network. By using a sliding window approach to only compare messages within a given time distance, many sources can be compared over long periods of time. The content of news messages is compared using techniques from the field of information retrieval, similar to plagiarism detection. RNewsflow provides tools for analyzing content homogeneity and diffusion patterns using computational text analysis. Given the sheer amount of news sources in the digital age (e.g., newspapers, blogs, social media) it has become difficult to determine where news is first introduced and how it diffuses across sources. RNewsflow: Tools for analyzing content homogeneity and news diffusion using computational text analysis How to Count the Number of Matches in Python.How to Count Elements in a List Matching a Condition.If you need to refresh your basic understanding of the re.match() function, check out my detailed blog article that leads you step-by-step into this powerful Python tool. In Python, any match object evaluates to True (if needed) apart from some exceptions (e.g., None, 0, 0.0, etc.). You use the re.match() method that returns a match object if there’s a match or None otherwise. # Filter out all elements that match the pattern # Define the list and the regex pattern to matchĬustomers = Solution: Use the list comprehension filtering framework to filter out all elements that do not match a given string. ![]() How can you filter those that match a certain regular expression?Įxample: Say, you’ve got a list and you want to filter out those elements that do not meet the regex pattern 'A.*e'. Say, you want to filter out all elements x>9 and x0Īll elements that are smaller than 10 and larger than 0 are included in the filtered list. ![]() The same applies if you want to combine multiple conditions. ![]() You can replace condition with any function of x you would like to use as a filtering condition.įor example, if you want to filter all elements that are smaller than, say, 10, you’d use the list comprehension statement [x for x in list if x0įiltered = Īll elements that are smaller than 10 and larger than 0 are included in the filtered list. The most Pythonic way of filtering a list-in my opinion-is the list comprehension statement. ![]() I forgot to mention the custom level editor is nothing short of amazing. It’s not going toe-to-toe with the AAA PC titles of the world, but the fact that it can run on most any laptop or computer and look great with a stylized theme is wonderful. It’s a fun stage and seriously one of the best moments I’ve ever had in a rhythm game.įor those that have been keeping up with the game since the early demos, the graphical style of the Early Access version got a revamp, which makes the pixel art pop in places where it didn’t beforehand. My all-time favorite stage in the game so far is the Act 2 boss, All the Times (better known as Window Dance due to the visual effects of the song), which sports killer background music and trippy visuals of the game window moving to crazy coordinates, which means you’ll need to rely on your rhythm rather than visual perception. ![]() I hope that the soundtrack can be released on a compilation someday, because I’d buy a copy and then more copies for friends it’s just that good. You have everything from techno and dubstep to lo-fi and even swing music, and there were times when I played a stage again just to listen to the featured song. The best part of Rhythm Doctor lies with its soundtrack, which features a mix of indie licenses and original tracks to make an eclectic mix of tracks that feel refreshing and unique. Rhythm Doctor won’t hold your hand, but it will throw you a bone here and there. It’s a difficulty curve that might seem unreachable to the uninitiated, but there are a few accessibility options that will ease you into the game. You’ll deal with backbeats and syncopation with swing tempos, and while I only failed a couple songs from my normal playthrough, the Night Shift versions (alternate routines that act as extra stages) will challenge even the most grizzled veteran. It might seem like a lot of the stages feel unusually difficult, but dig deeper into the weeds and you’ll find some serious ideas within this silly game. ![]() ![]() The challenge here isn’t with hundreds of notes coming at you in the span of seconds, but rather a true test of rhythm with music theory. While I don’t play at the godlike level of most arcade rhythm games, I still can hold my own with the harder gameplay of the genre, and in that aspect Rhythm Doctor delivers. Thankfully, doctors Paige and Ian will help you acclimate to different rhythm patterns every few stages. This is easier said than done as you’ll have to deal with different time signatures, music styles, and even visual distractions throughout each of the over 20 stages. While the game references the recent pandemic as a reason for this, the premise was actually the same back in the 2017 demo a remarkable coincidence! The patients that come in have irregular heart patterns, which must be constantly checked by pressing the Spacebar once every seven (or two) beats. Due to current situations, you’re working in a remote setting helping patients from afar. Rhythm Doctor hosts a unique idea where you’re an intern at Middlesea Hospital, which currently hosts the titular Rhythm Doctor initiative. Unfortunately, the only problem with a small taste of greatness is that the wait is excruciating, but over three years later (and nearly seven years of development!), the Early Access build of Rhythm Doctor is here and, to quote some recent vernacular, it slaps. After getting contacted by 7th Beat Games and playing a demo back in 2017, I was hooked immediately at the deceptively simple and wacky premise. We like talking about long AAA development cycle times, but my most anticipated game still in the cooker is actually the indie music game Rhythm Doctor. ![]() Question: "If love be rough with you, be rough with love"Īnswer: Mercutio: Act 1 Scene 4 "get back at love" :find a new girl Question: "It is an honour that I dream not of."Īnswer: Juliet:Act 1 Scene 3 Juliet does not yet want to marry. Question: "Marry that 'marry' is the very theme I came of talk of."Īnswer: Lady Capulet Act 1 Scene 3"I have come to talk about marriage" Question: "At this same ancient feast of Capulet's Sups the fair Rosaline who thou so loves./Compare her face with some that I shall show, and I will make thee think thy swan a crow"Īnswer: Benvolio Act 1 Scene 2 He is saying that they shall attend this party(where Rosaline is also at) and he will find more beautiful ladies for Romeo(which will make Rosaline look like "a crow")Īnswer: Lady Capulet Act 1 Scene 3 Juliet will be fourteen in 2 weeks Question: "My master is the great rich Capulet, and if you be not of the house of Montague's, I pray come and crush a cup of wine."Īnswer: Servant Act 1 Scene 2 The servant says that Romeo and Benvolio are invited to join the Capulet party if they are not Montague's Question: "Take thou some new infection to thy eye, And the rank poison of the old will die."Īnswer: Benvolio Act 1 Scene 2 He is saying to be "infected' by some other ladies and forget about his "crush". Question: "But woo her, gentle Paris, get her heart, my will to her consent is but a part."Īnswer: Capulet Act 1 Scene 2 Juliet must agree to Paris's proposal(he must woo her) Question: "Earth hath swallowed all my hopes but she"Īnswer: Capulet Act 1 Scene 2All of Capulets children died but Juliet:Juliet is very precious to him b/c of this. Question: "Younger than she are happy(fortunate) mothers made."Īnswer: Paris Act 1 Scene 2"Mothers/wives are made at much younger ages." But now, my lord, what say you to my suit?"Īnswer: Paris Act 1 Scene 2Paris is asking Capulet permission to marry Juliet, Capulet's daughter. Question: "But saying o'er what I have said before. Romeo's 'crush' is remaining chaste, so she can never love him. Question: "By giving liberty unto thine eyes, Examine other beauties."Īnswer: Benvolio Act 1 Scene 1 Benvolio is telling Romeo to forget about his 'crush' and to look at other women. Question: "With Cupid's arrow, she hath dian's wit "Īnswer: Romeo:Act 1 Scene 1Romeo is referring to his "crush"(Rosaline) as Diana, goddess of hunting and chastity. Question: "Here's much to do with hate, but more with love"Īnswer: Romeo: Act 1 Scene 1 The two sides(Capulets and Montagues) love pride and their families so much, and because of this they have so much hate for each other Question: "Alas that Love, so gentle in his view, Should be so tyrannous and rough in proof!"Īnswer: Benvolio Act 1 Scene 1(Personification) Love, as sweet and gentle as it may seem, can also be so rough and harsh Question: "Many a morning hath he there been seen('I've heard'), With tears augmenting the fresh morning's dew, Adding to clouds more clouds with his deep sighs"Īnswer: Montague Act 1 Scene 1Romeo is deeply depressed/very sad, with tears in his eyes and sorrow-filled sighs Question: "O where is Romeo? saw you him today? Right glad I am he was not at this fray(fight)"Īnswer: Lady Montague Act 1 Scene 1"Where is Romeo? have you seen him? I am just glad he was not at this fight" ![]() Question: "Here were the servants of your adversary(opponent), And yours, close fighting ere I did approach"Īnswer: Benvolio Act 1 Scene 1 these people were fighting before I came Question: "By thee, old Capulet, and Montague, have thrice disturbed the quiet of our streets"Īnswer: Prince Escales(Prince of Verona) Act 1 Scene 1The Capulets and Montages have broken out into violent fights three times already Question: "if ever you disturb our streets again, your lives shall pay the forfeit of the peace."Īnswer: Prince Escales(Prince of Verona) Act 1 Scene 1 If there is ever a fight again between the Capulets and Montegues, there will be a death penalty Question: "A crutch, a crutch! why call you for a sword?"Īnswer: Lady Capulet: Act 1 Scene 1 Lady Capulet is saying "why are you going to join this fight why are you calling for a sword for you are too old!" Question: "What noise is this? Give me my long sword, ho!"Īnswer: Capulet:act 1 Scene 1Capulet is demanding his wife give him his sword so he can join in this fight(Capulets vs Montages) Put up thy sword, or manage it to the part these men with thee"Īnswer: Benvolio:Act 1 Scene 1Benvolio is trying make peace between the men who are fighting: he is trying to stop the fight Question: "What art thou drawn among these heartless hinds?/Turn thee, Benvolio, look upon thy death."Īnswer: Tybalt:Act 1 Scene 1Tybalt is saying to Benvolio that he must look to him(tybalt), his "death" the reason for Benvolio's death. It was a little bit like walking on thin ice.” Miller’s actions led to “several weeks on that movie where I wouldn’t know what was going to come my way, and that’s not necessarily a nice thing to feel when you’re on your job. ![]() “That’s where we could have done better, if George trusted that nobody was going to come and fuck with his vision but was just going to come and help mediate situations.” “You understand the needs of a director who wants to protect his set, but when push comes to shove and things get out of hand, you have to be able to think about that in a bigger sense,” Theron continued. However, the producer assigned to Theron, Denise Di Novi, was barred from set by producer Doug Mitchell, meaning that Theron “still felt pretty naked and alone” on set. I was in survival mode I was really scared shitless.” I don’t think I had that clarity when we were making the movie. Now, I have a very clear perspective on what went down. “I don’t want to make excuses for bad behaviour, but it was a tough shoot. Theron added: “It got to a place where it was kind of out of hand, and there was a sense that maybe sending a woman producer down could maybe equalise some of it, because I didn’t feel safe. “That was the turning point, because then she said, ‘I want someone as protection.’” Hardy responded by “charging up to her” and saying: “What did you say to me?” Goellnicht said Hardy seemed “quite aggressive” and that Theron “really felt threatened.” When Hardy finally arrived, Theron asked Hardy: “How disrespectful are you?” and said the producers should “fine the fucking cunt a hundred thousand dollars for every minute that he’s held up this crew”. “She didn’t go to the bathroom, didn’t do anything. “She was really going to make a point,” recalled camera operator Mark Goellnicht. They included Theron, then a new mother whose baby was in childcare nearby while she worked.ĭespite producers having made a “special request” for Hardy to be punctual, he was more than three hours late, during which time Theron remained in position, ready to shoot. ![]() In one instance, Hardy was due on set at 8am, along with the rest of the cast and crew required that day. Speaking to Buchanan, Theron and other crew members allege a litany of unprofessional behaviour on the part of Hardy, including persistent lateness causing his co-workers to wait for hours on set. Theron was newcomer Imperator Furiosa, a lieutenant to the villain Immortan Joe (Hugh Keays-Byrne) who turns against her leader to collaborate with Max while escorting young women to safety. Hardy starred as the title character in the film, played by Mel Gibson in the original trilogy. ![]() How do I apply for financial aid? What forms do I need to complete? Where do I get these forms?.Those finalists who do not receive an additional merit scholarship from Vanderbilt will receive a total of $5,000 per year in National Merit scholarship from all sources (with Vanderbilt supplementing any smaller corporate or one-time National Merit Corporation awards). ![]() For those finalists who also receive one of Vanderbilt's merit scholarships, we guarantee an additional $2,000 in National Merit total scholarship dollars per year from all sources (with Vanderbilt supplementing any smaller corporate or one-time National Merit Corporation awards). Students must designate Vanderbilt as their first-choice school with the National Merit Corporation by the deadlines set by the National Merit Corporation and enroll as an entering first-year student to receive Vanderbilt's National Merit Scholarship. Yes, Vanderbilt provides scholarship assistance for admitted and enrolled students who are named National Merit Finalists. How does the lottery scholarship work with my need-based aid package? If your family has additional demonstrated need, you can apply and possibly qualify for need-based financial aid. Vanderbilt provides all students receiving ROTC scholarships an additional $6,000 per year toward any other expenses. Scholarship students in Air Force ROTC can receive scholarships varying from $3,000 up to full-tuition scholarships based on your scholarship type, which may also include money for some fees, books, and a monthly stipend. ![]() Scholarship students in the Army or Navy ROTC programs receive full tuition, fees, a book allowance, uniforms, and a monthly stipend that increases each year in which they are in the program. Students can participate in Air Force ROTC programs through nearby Tennessee State University. Students who participate in the Navy ROTC program have the option of commissioning into the Marine Corps upon graduation. Army and Navy ROTC programs are active on the Vanderbilt campus. |